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A&R

^ Cook, Richard (2005). Richard Cook's Jazz Encyclopedia. London: Penguin Books. pp. 16. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-141-00646-3. https://archive.org/details/richardcooksjazz00cook
^ a b Albini 1993.
^ a b Weissman 2003, p. 25.
^ Prial 2006.
^ Shoemer 1992.
^ Goldberg 2009, p. 179-180.
^ Disco boom: Knopper (2009, pp. 15?35). Teen pop boom: Knopper (2009). Knopper discusses the way the industry has overreacted to these waves throughout his book.
^ a b “Interview with Richard Niles”. HitQuarters (2007年4月23日). 2012年3月29日時点の ⇒オリジナルよりアーカイブ。2010年11月17日閲覧。
^ “Wu-Tang Clan: 10 of the best”. The Guardian. (2014年11月26日). https://www.theguardian.com/music/musicblog/2014/nov/26/wu-tang-clan-10-of-the-best
^ “Wu-Tang Clan Still Sting”. LA Weekly. (2007年12月19日). https://www.laweekly.com/music/wu-tang-clan-still-sting-2151230
^ a b c “Interview With Martin Heath”. HitQuarters (2005年12月12日). 2012年3月14日時点の ⇒オリジナルよりアーカイブ。2010年6月20日閲覧。
^ Kusek & Leonhard 2005.
^ Knopper 2009, pp. 220?221.

参考文献

 Albini, Steve (1993), “The Problem with Music”, The Baffler (Chicago: Thomas Frank) (5), ⇒オリジナルの28 September 2007時点におけるアーカイブ。, https://web.archive.org/web/20070928182458/http://www.negativland.com/albini.html 2009年6月20日閲覧。 (Reprinted in Maximum RocknRoll No. 133 (June 1994) and later various websites.)

Goldberg, Danny (2009), Bumping into Geniuses, ISBN 978-1-59240-483-4

Knopper, Steve (2009), Appetite for self-destruction : the spectacular crash of the record industry in the digital age, New York: Free Press, ISBN 978-1-4165-5215-4

Kusek, David; Leonhard, Gerd (2005), The future of music : manifesto for the digital music revolution, Boston: Berklee Press, ISBN 0-87639-059-9, https://archive.org/details/futureofmusicman00kuse

Prial, Dunstan (2006), The producer : John Hammond and the soul of American music, New York: Farrar, Straus and Giroux, ISBN 0-374-11304-1, https://archive.org/details/producerjohnhamm00pria

Shoemer, Karen (30 October 1992), “Some Alternative Boundaries Fall”, The New York Times, https://query.nytimes.com/gst/fullpage.html?res=9E0CE0D7123EF933A05753C1A964958260

Weissman, Dick (2003), The music business : career opportunities and self-defense, New York: Three Rivers Press, ISBN 0-609-81013-8, https://archive.org/details/musicbusiness00dick

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