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^ Scheibe, Cynthia Leone (1983). Character Portrayals and Values in Network TV Commercials. Cornell University. pp. 107. https://books.google.com/books?id=ShFFAAAAYAAJ
^ “Subgenre - Crime comedy”. AllMovie. 2020年11月4日閲覧。
^ “10 Best Crime Comedy Movies”. CBR.com (2023年2月11日). 2023年4月17日閲覧。
^ “Subgenre - Crime drama”. AllMovie. 2020年11月4日閲覧。
^ “Subgenre - Crime thriller”. AllMovie. 2020年11月4日閲覧。
^ a b c “Subgenre - Gangster Film”. AllMovie. 2020年11月4日閲覧。
^ Masswood, Paula. Black City Cinema
^ a b Masswod, Paula. Black City Cinema
^ Singleton, John, 1968-2019, screenwriter. film director. Nicolaides, Steve, film producer. Fishburne, Laurence, III, 1961- actor. Ice Cube (Musician), actor. Gooding, Cuba, Jr., 1968- actor. Long, Nia. actor. Chestnut, Morris. actor. Ferrell, Tyra. actor. Bassett, Angela. actor. King, Meta. actor. Mayo, Whitman, 1930-2001, actor. Clarke, Stanley. composer (expression), Boyz n the hood, OCLC 773206256
^ “Subgenre - Prison Film”. AllMovie. 2020年11月4日閲覧。
関連資料.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-100{font-size:100%}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}
⇒Criminology and Criminal Justice
Cavender, Gray, and Nancy C. Jurik. "Risky business: Visual representations in corporate crime films." Routledge international handbook of visual criminology (2017): 215-228.
Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies (2006) excerpt
Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." Journal of criminal justice education 29.2 (2018): 178-197. [1]
King, Neal, Rayanne Streeter, and Talitha Rose. "Cultural Studies Approaches to the Study of Crime in Film and on Television." Oxford Research Encyclopedia of Criminology and Criminal Justice (2016). online
Leitch, Thomas M. Crime Films. (Cambridge UP, 2002), ISBN 978-0-521-64671-0
Lenz, Timothy O. Changing Images of Law in Film and Television Crime Stories (Lang, 2003)
Lichtenfeld, Eric. Action speaks louder: Violence, spectacle, and the American action movie (Wesleyan University Press, 2007).
Mayer, Geoff. Historical dictionary of crime films (Scarecrow Press, 2012). online
Rafter, Nicole. Shots in the Mirror: Crime Films and Society, (2nd ed. Oxford UP, 2006), ISBN 978-0-19-517506-6 online
Rafter, Nicole. "Crime, film and criminology: Recent sex-crime movies." Theoretical criminology 11.3 (2007): 403-420.
Rafter, Nicole Hahn, and Michelle Brown. Criminology goes to the movies: Crime theory and popular culture (NYU Press, 2011).
Ramaeker, Paul. "Realism, revisionism and visual style: The French Connection and the New Hollywood policier." New Review of Film and Television Studies 8.2 (2010): 144-163. online
Simpson, Philip L. Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction (University of Southern Illinois Press, 2000).
Sorrento, Matthew. The New American Crime Film (2012) excerpt
Spina, Ferdinando. "Crime Films". Oxford Research Encyclopedia of Criminology (Oxford University Press, 2017)
Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. "Constructing crime and justice on film: Meaning and message in cinema." Contemporary Justice Review 14.4 (2011): 457-476. online
ヨーロッパ
Baschiera, Stefano. "European Crime Cinema and the Auteur." European Review 29.5 (2021): 588-600.
Chibnall, Steve, and Robert Murphy. British crime cinema (Routledge, 2005).
Curti, Roberto. Italian Crime Filmography, 1968-1980 (McFarland, 2013).
Davies, Ann. "Can the contemporary crime thriller be Spanish?" Studies in European Cinema 2.3 (2005). online
Forshaw, Barry. British crime film: Subverting the social order (Springer, 2012).
Forshaw, Barry. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV (2014) excerpt
Gerhards, Sascha. "Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s." in Generic Histories of German Cinema: Genre and its Deviations (Camden House, 2013) pp: 133-155.
Hansen, Kim Toft, Steven Peacock, and Sue Turnbull, eds. European television crime drama and beyond (Cham: Palgrave Macmillan, 2018).
Marlow-Mann, Alex. "Strategies of Tension: Towards a Reinterpretation of Enzo G. Castellari's The Big Racket and the Italian Crime Film." in Popular Italian Cinema (2013) pp: 133-146.
Peacock, Steven. Swedish crime fiction: Novel, film, television (Manchester University Press, 2015).
Reisinger, Deborah Streifford. Crime and media in contemporary France (Purdue University Press, 2007).
Toft Hansen, Kim, Steven Peacock, and Sue Turnbull. "Down these European mean streets: Contemporary issues in European television crime drama." in European television crime drama and beyond (2018) pp: 1-19. online
Wilson, David, and Sean O'Sullivan. Images of Incarceration: Representations of Prison in Film and Television (Waterside Press, 2004), British emphasis..mw-parser-output .asbox{position:relative;overflow:hidden}.mw-parser-output .asbox table{background:transparent}.mw-parser-output .asbox p{margin:0}.mw-parser-output .asbox p+p{margin-top:0.25em}.mw-parser-output .asbox{font-size:90%}.mw-parser-output .asbox-note{font-size:90%}.mw-parser-output .asbox .navbar{position:absolute;top:-0.90em;right:1em;display:none}
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