妖精の女王_(パーセル)

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^ a b c d Muller 2005 pp. 667?681
^ a b c d Price 2006
^ Steane. See also DeMarco 2002 pp. 174?185.
^ Typically, the chorus is used at the end of airs to provide a recapitulation of the main theme of the air, as well as at moments of particular dramatic grandeur, such as at the entry of Phoebus during act 4.
^ ⇒http://www.oxfordwesternmusic.com ex. 3-13 Henry Purcell, The Fairy Queen, act 2 masque, Secrecy's song
^ Burden 2003 pp. 596?607
^ Straub, Kristina; Anderson, Misty G.; O'Quinn, Daniel (2019). The Routledge anthology of Restoration and eighteenth-century performance. Abingdon, Oxon New York, NY: Routledge. p. 52. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 978-1-138-74330-4
^ Westrup & Harrison p.199
^ Steane
^ Savage 1973 pp. 201?222
^ White 29 October 1995. For a contrasting view, see Kimberley 21 October 1995.
^ “Opera apresenta versao moderna de Shakespeare”. O Estado de S. Paulo. (2000年4月25日). ⇒オリジナルの2016年3月4日時点におけるアーカイブ。. https://web.archive.org/web/20160304065856/http://jqz.zip.net/images/operapurcell.jpg 2016年3月4日閲覧。
^ Breen 2009
^ Ashman 7 May 2005

参考文献

Ashman, Mike, ⇒"Lost in Music." The Guardian, 7 May 2005

Breen, Ed, ⇒"Purcell: The Fairy Queen", Musical Criticism, July 2009

Burden, Michael. "Casting issues in the original production of Purcell's opera The Fairy-Queen " Music & Letters 84/4 (Nov.2003) ⇒oxfordjournals.org (subscription access)

DeMarco, Laura. ⇒oxfordjournals.org "The Fact of the Castrato and the Myth of the Countertenor." The Musical Quarterly 86 (2002), 174?185. (subscription access). An argument against the use of countertenors as castrati replacements, but the relevance to this article comes in the more balanced discussion of countertenors as used by Purcell.

Dent, Edward J. Foundations of English Opera, Cambridge University Press, Cambridge, 1928.

Holst, Imogen [ed]. Henry Purcell 1659?1695: Essays on His Music, Oxford University Press, London, 1959.

Kimberley, Nick, "The Fairy Queen Crass? Vulgar? Magic!", The Independent, 21 October 1995

van Lennep, William et al. [eds], The London Stage, parts 1 (1965) and 2 (1959), Southern Illinois University Press, Carbondale.

Moore, R. E. Henry Purcell and the Restoration Theatre, Greenwood Press, Westport CT, 1961.

Milhous, Judith, "The Multimedia Spectacular on the Restoration Stage", in British Theatre and the Other Arts, 1660?1800, ed. Shirley Strum Kenny, Associated University Presses, Cranbury, New Jersey, 1984

Muller, Frans and Julia, ⇒oxfordjournals.org "Completing the picture: the importance of reconstructing early opera". Early Music, vol XXXIII/4 (November 2005). (subscription access).

Price, Curtis A. Henry Purcell and the London Stage,Cambridge University Press, Cambridge, 1984.

Price, Curtis. ⇒grovemusic.com "The Fairy-Queen" Archived 16 May 2008 at the Wayback Machine., Grove Music Online, ed. L. Macy (accessed 25 January 2006), (subscription access).

Savage, Roger. "The Shakespeare-Purcell Fairy-Queen: A Defence and Recommendation", Early Music, vol I (1973) ⇒oxfordjournals.org (subscription access).

Savage, Roger. "The Fairy-Queen: an Opera" in Henry Purcell's Operas, The Complete Texts, ed. Michael Burden, Oxford University Press, Oxford, 2000.

Shay, Robert, and Robert Thompson. Purcell Manuscripts: The Principal Musical Sources (Cambridge, 2000).

Steane, J. B. ⇒grovemusic.com "Countertenor" Archived 16 May 2008 at the Wayback Machine., Grove Music Online, ed. L. Macy (accessed 25 July 2006), (subscription access).

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