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^ 高階 2016, p. 132は"もしくは黒や緑"とするが。
^ Holford-Strevens 2006, p. 36.
^ Peacock, Martha Moffitt (2020), “The Mermaid of Edam and the Emergence of Dutch National Identity”, in Classen, Albrecht, Imagination and Fantasy in the Middle Ages and Early Modern Time: Projections, Dreams, Monsters, and Illusions, Walter de Gruyter, p. 684, .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 9783110693782, https://books.google.com/books?id=h773DwAAQBAJ&pg=PT571
^ a b c d Rhodes, Kimberly (2016). Ophelia and Victorian Visual Culture: Representing Body Politics in the Nineteenth Century. Routledge. p. 118. ISBN 9781351555678. https://books.google.com/books?id=AkQrDwAAQBAJ&pg=PA118
^ a b c Fraser 2017, Chapter 1. § Prehistory: Mermaids in the West"end of section
^ a b c Wood 2018, p. 68.
^ Warner, Marina From the Beast to the Blonde, p. 406 apud Fraser 2017, Chapter 1. § Prehistory: Mermaids in the West: "comb and mirror.. probably inherited from the goddess of love, Aphrodite".
^ a b c d Clark, Willene B. (2006). A Medieval Book of Beasts: The Second-family Bestiary: Commentary, Art, Text and Translation. Boydell Press. p. 57 and n50. ISBN 9780851156828. https://books.google.com/books?id=0olPRmCoE8MC&pg=PA57
^ a b c Waugh 1960, p. 77.
^ a b c Chunko-Dominguez, Betsy (2017). English Gothic Misericord Carvings: History from the Bottom Up. BRILL. pp. 82?84. ISBN 9789004341203. https://books.google.com/books?id=Jo1ZDgAAQBAJ&pg=PA82
^ Druce 1915, pp. 151, 175.
^ Hayward, Philip (2018). “Chapter 2: Matsya Fabulism: Hindu mythologies, Mermaids and syncretism in India and Thailand 21/50”. In Hayward, Philip. Scaled for Success: The Internationalisation of the Mermaid. Indiana University Press. pp. 21?50. ISBN 978-0861967322. https://books.google.com/books?id=mrFiDwAAQBAJ&pg=PA21
^ Hayward 2018[16], p. 48, n. 19: "their representations in Portugal and elsewhere in Wester Europe were standardised as more typical mermaid-ones from the 1500s on"。 セイレーン論文 Holford-Stevens 2016を引く。
^ 九頭見 2006a, p. 59.
^ a b c d e f 『吾妻鏡』(吉川本)巻三十六；（北條本）巻三十八・五月二十九日の条[434][435]。
^ a b c d e f 『北条九代記』八[432][433]。
^ a b 藤澤 1925, p. 26.
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