ラース・フォン・トリアー

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^ Karen Durbin; "Every Dane has his Dogma" ; Sydney Morning Herald紙 2000年6月17日付 Good Weekend (p. 35): "Von Trier is a red-nappy baby. His mother was a Communist, his father a Social Democrat, and both worked in Denmark's social services ministry. They met during World War II in Sweden after fleeing the Nazi occupation of Denmark, 'my father because he was Jewish and my mother because she was in the Resistance.' They were also dedicated nudists (although less so than the relative von Trier describes who kept his apartment warm and 'was always completely naked, on principle'). His childhood included occasional holidays at nudist camps. 'It was very strange,' he says. 'Kind of charming'."
^ Lumholdt, Jean (2003). Lars von Trier: Interviews. Conversations With Filmmakers Series. University Press of Mississippi. ISBN 978-1578065325 (p. 109): Trier "Religion was totally forbidden, and it has always interested me. At the same time I'm a neurotic person and my biggest problem in life is control or the lack of control. [...] As a child, you create all kinds of rituals to maintain control. I was very scared of the atom bomb, so every night when I went to bed I had to perform all these rituals to save the world. And from a psychological point of view, religion is a continuation of these childhood rituals, which are there to prevent everything from reverting back to chaos." (p. 116), Trier: "I think that these ideas about control and chaos stem from my upbringing, which was unbelievably lax. There were no rules whatsoever, which creates a lot of problems, like deciding when you should go to the dentist, because everything's up to you yourself. And in that case, you end up not getting things done and that creates a lot of anxiety. I also had to force myself to do my homework, because no one told me when I had to do it. When there's nobody to enforce discipline upon you, then you have to enforce it from within. That, in return, has made me incredibly disciplined at my work today―I work all the time. But at the same time it's a tremendous source of anxiety that everything is your decision. Of course this has given me great faith in my own creativity―almost like a christening gift."
^ a b “ ⇒Starpulse.com Biography”. 2009年12月12日閲覧。
^ a b “ ⇒The Tomb: Lars von Trier Interview”. 2009年12月13日閲覧。
^ “ ⇒Festival de Cannes: Europa”. festival-cannes.com. 2009年8月9日閲覧。
^ “ ⇒Stranger than fiction”. 2003年12月22日閲覧。 Sydney Morning Herald
^ “Norwegian Media Authority none-censorship decision”. 2010年2月15日時点の ⇒オリジナルよりアーカイブ。2009年12月13日閲覧。
^ Stern #40、2007年9月27日。
^ Thomas Vilhelm: Filmbyen (Ekstra Bladets Forlag, 2003), ISBN 978-87-7731-274-8, page 74.
^ Cosmopolitan (German edition), July 2009, page 30.
^ “ ⇒Festival de Cannes: Dancer in the Dark”. festival-cannes.com. 2009年10月11日閲覧。
^ “ ⇒The Five Obstructions (2003) |FILM REVIEW; A Cinematic Duel of Wits For Two Danish Directors”. 2009年12月13日閲覧。
^ “ ⇒Borsen: 1990'ernes filmfest er forbi”. 2009年12月13日閲覧。
^ “ ⇒Festival de Cannes: Antichrist”. festival-cannes.com. 2009年5月9日閲覧。
^ ⇒“Lars von Trier film "Antichrist" shocks Cannes”. reuters.com. (2009年5月17日). ⇒http://www.reuters.com/article/entertainmentNews/idUSTRE54G2JF20090517 2009年5月17日閲覧。
^ “ ⇒Tod Hunter at Xbiz: Zentropa Gets Explicit Movie Into Cannes”. 2009年12月12日閲覧。
^ “ ⇒Cannes jury gives its heart to works of graphic darkness”. 2009年12月13日閲覧。
^ “ ⇒Antichrist gets an anti-award in Cannes”. 2009年12月13日閲覧。[リンク切れ]
^ “ ⇒Lars Von Trier has Melancholia”. 2009年12月13日閲覧。
^ Juul Carlsen, Per (5 2011). Neimann, Susanna. ed. ⇒“The Only Redeeming Factor is the World Ending”. FILM (Danish Film Institute) (72): 5?8. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISSN 1399-2813. ⇒http://www.dfi.dk/Service/English/News-and-publications/FILM-Magazine/Artikler-fra-tidsskriftet-FILM/72/The-Only-Redeeming-Factor-is-the-World-Ending.aspx.
^ “ ⇒No More Happy Endings for Lars von Trier, End of the World Coming!”. 2009年12月13日閲覧。
^ “ ⇒Horaires 2011” (フランス語). festival-cannes.com. Cannes Film Festival. 2011年5月12日閲覧。
^ ⇒“トリアー監督を「好ましからざる人物」に　カンヌ映画祭”. 朝日新聞. (2011年5月19日). ⇒http://www.asahi.com/international/update/0519/TKY201105190651.html 2011年5月20日閲覧。
^ “ ⇒カンヌ追放のラース・フォン・トリアー監督、女性のエロスを描く新作ポルノに着手”. gqjapan (2011年9月13日). 2012年8月23日閲覧。
^ “ニコール・キッドマン、L・V・トリアー監督と「ニンフォマニア」で再タッグ” (2012年8月6日). 2012年8月23日閲覧。
^ “シャイア・ラブーフ、トリアー監督新作で本番セックスに挑む” (2012年8月20日). 2021年10月14日閲覧。
^ “ビョーク、デンマーク人監督による性的嫌がらせの具体的内容を明かす” (2017年10月18日). 2019年8月15日閲覧。

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出典: フリー百科事典『ウィキペディア（Wikipedia）』
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