ミカド_(オペレッタ)

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^ 他にラブ・バトラーの伝記でも政界での役職を兼任していた頃を「プーバー時代」と呼んだ。

出典 ^ Gillan, Don. ⇒Longest runs in the theatre up to 1920.
^ a b Mencken, H. L. ⇒Article on The Mikado. Baltimore Evening Sun, 29 November 1910
^ 『キプリングの日本発見』ラドヤード・キプリング、中央公論社、2002、p87
^ a b ⇒変容するジャポニズム―舞台作品の変遷多和田真太良、学習院大学人文科学論集ⅩⅩⅤ（2016）
^ 大炎上した日本風オペラ「ザ・ミカド」はなぜ怒りを買ったのかHuffingtonpost, 2015年09月30日
 ^ Traubner, p. 162
^ Jacobs, p. 187
^ Crowther, Andrew. ⇒"The Carpet Quarrel Explained", The Gilbert and Sullivan Archive, 28 June 1997, accessed 6 November 2007
^ Ainger, p. 226
^ Ainger, p. 230
^ Ainger, p. 232
^ a b Ainger, p. 233
^ a b ⇒"The Japanese exhibition, 1885?87", English Heritage, accessed 29 January 2013
^ Cellier and Bridgeman, p. 186
^ a b Jones (1985), p. 22
^ Jones (2007), p. 687
^ Jones (1985), p. 25
^ Baily, pp. 235?36
^ Schickel, Richard (1999年12月27日). ⇒“Topsy-Turvy”. Time. ⇒http://www.time.com/time/printout/0,8816,992991,00.html 2011年7月16日閲覧。
^ a b Jones (2007), pp. 688?93
^ ⇒Quoted at Lyricoperasandiego.com
^ a b c Gilbert, W. S. "The Evolution of The Mikado", New York Daily Tribune, 9 August 1885
^ Illustrated London News, 12 February 1885, p. 143
^ 1938年に内閣訓令によってヘボン式を排したローマ字表記の統一（内閣訓令式）が図られたためである。
^ a b Seeley, Paul. (1985) "The Japanese March in The Mikado", The Musical Times, 126(1710) pp. 454?56.
^ Gillan, Don. ⇒A History of the Royal Command Performance, StageBeauty.net, accessed 16 June 2009
^ ⇒Photos of, and information about, the 1926 Mikado costume designs.
^ Prestige, Colin. "D'Oyly Carte and the Pirates", a paper presented at the International Conference of G&S held at the University of Kansas, May 1970
^ ⇒Information about American productions
^ Gilbert, Sullivan and Carte had tried various techniques for gaining an American copyright that would prevent unauthorised productions. In the case of Princess Ida and The Mikado, they hired an American, George Lowell Tracy, to create the piano arrangement of the score, hoping that he would obtain rights that he could assign to them. The U.S. courts held, however, that the act of publication made the opera freely available for production by anyone. Jacobs, p. 214 and Ainger, pp. 247, 248 and 251
^ Rollins and Witts, p. 59
^ Rollins and Witts, pp. 59?64
^ Jacobs, Arthur. ⇒"Carte, Richard D'Oyly (1844?1901)", Oxford Dictionary of National Biography, Oxford University Press, September 2004, accessed 12 September 2008
^ Joseph (1994), pp. 81 and 163
^ Bradley (2005), p. 25
^ The conductor Ernest MacMillan, along with other musician internees, recreated the score from memory with the aid of a libretto. See MacMillan, pp. 25?27
^ ⇒"Production History", Stratford Festival website, accessed 15 February 2014
^ Kan'ichi Asakawa. "Institutions before the Reform", The Early Institutional Life of Japan: A Study in the Reform of 645 A.D., Tokyo: Shueisha (1903), p. 25. Quote: "We purposely avoid, in spite of its wide usage in foreign literature, the misleading term Mikado. ... It originally meant not only the Sovereign, but also his house, the court, and even the State, and its use in historical writings causes many difficulties. ... The native Japanese employ the term neither in speech nor in writing."
^ Dark and Grey, p. 101
^ Mairs, Dave. ⇒"Gilbert & Sullivan... the greatest show takes to the road", Your Canterbury, 2 June 2014
^ a b Steinberg, Neil. ⇒"Updated Mikado promises to be as rousing as ever". Chicago Sun-Times, 6 December 2010.
^ "Mikado Genesis", Lyric Opera San Diego
^ Jones (1985), pp. 22?25
^ Allen, p. 239
^ ⇒this translation. Daniel Kravetz wrote in The Palace Peeper, December 2007, p. 3, that the song was composed in 1868 by Masujiro Omura, with words by Yajiro Shinagawa.
^ "Historia Miya San". General Sasaki gives historical information about "Ton-yare Bushi" and includes Midi files and a translation. Here is a YouTube version of the Japanese song.
^ ⇒"A Study Guide to the production of The Mikado", Pittsburgh Public Theater, p. 13
^ Munich, Adrienne. Queen Victoria's Secrets, 1998, ISBN 978-0-231-10481-4

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