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^ Haggerty, George E. (2000). Gay Histories and Cultures: An Encyclopedia. Taylor & Francis. p. 256. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0815318804. "House music is a form of post-disco dance music made popular in the mid 1980s in Chicago clubs…""
^ Demers, Joanna (2006). “Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music (Cambridge Univ Press) 25: 25, 401?414. doi:10.1017/S0261143006001012. ""In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…)"
^ Campbell, Michael (2008). Popular Music in America. Cengage Learning. p. 352. ISBN 0495505307. "Glossary: techno ? post-disco dance music in which most or all of the sounds are electronically generated"
^ ⇒AllMusic - explore music... House: "House music grew out of the post-disco dance club culture of the early '80s." Retrieved on 12-27-2009
^ St. John, Graham (2004), Rave Culture and Religion, p. 50, ISBN 0415314496, "[sic] house music. As a post-disco party music, house features a repetitive 4/4 beat and a speed of 120 or more beats per minute..."
^ ⇒http://www.rollingstone.com/.../flashback-watch-disco-demolition-ni...
^ Serwer, Jesse (2009) ⇒XLR8R: Jesse Serwer in a interview with Dam-Funk. Retrieved on 2-2-2010.
^ ⇒http://www.danceclassics.net/producers.htm
^ Parliament/Funkadelic. (2009). In ⇒Student's Encyclopadia: "Combining funk rhythms, psychedelic guitar, and group harmonies with jazzed-up horns, Clinton and his ever-evolving bands set the tone for many post-disco and post-punk groups of the 1980s and 1990s.". Retrieved August 15, 2009, from Britannica Student Encyclopadia.
^ Cadence Magazine 10: 56. (1984).
^ a b c d ⇒Kool & The Gang: Billboard Singles ? ⇒David Bowie: Billboard Singles ? ⇒SOS Band: Billboard Singles ? ⇒Indeep: Billboard Singles ? ⇒Earth, Wind & Fire: Billboard Singles ? ⇒Michael Jackson: Billboard Singles by Allmusic. Retrieved on August 11, 2009.
^ Search song on ⇒EveryHit.com database
^ ⇒[1]. Songfacts.com about Kool & The Gang trivia informations. Retrieved on 5. 5. 2009
^ Soul > LP > Earth Wind & Fire: Raise!: Earth Wind & Fire hits the 80s -- and never misses a beat! Turns out that the group's older style of jazzy funk was a perfect fit for the boogie-styled rhythms of the post-disco era". Dusty Groove America.com. Retrieved on August 12, 2009.
^ Grow, Kory (May 2008). Revolver Magazine article: Why The Most Dangerous Band Of The Decade, True Norwegian, Black Metallers, Gorgoroth, Turned On Itself - "When the post-disco classic "Last Night a DJ Saved My Life" by early-'80s New York crew Indeep comes on, King asks what the singer means by the bizarre titular statement.". No. 68. ISSN 1527-408X.
^ ⇒[2]. 70disco.com web. Re-retrieved on August 1, 2009
^ ⇒ShowArtist: Evelyn "Champagne" King. Disco-funk.co.uk. Retrieved on August 10, 2009.
^ Hoffmann, W. Frank & Ferstler, Howard (2005). Encyclopedia of Recorded Sound (Publication no. 2): "He [Harry Casey] briefly returned to the public eye billed as KC with the release of KC Ten (Meca 8301; 1984: #93), featuring the post-disco single 'Give It Up' (Meca 1001; 1984; #18), before fading back into obscurity". p. 566. ISBN 041593835X
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