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^ Gloag, Kenneth (2006). Latham, Alison. ed. The Oxford Companion to Music. Oxford: Oxford University Press. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-19-866212-2. https://archive.org/details/isbn_9780198662129 
^ Haworth & Smith 1975, p. 126.
^ a b c d Macan 2005, p. 75.
^ Macan 1997, p. 23.
^ McCormick, Neil (2016年3月12日). “Keith Emerson, the father of progressive rock, was the Jimi Hendrix of keyboards”. The Telegraph. https://www.telegraph.co.uk/music/artists/keith-emerson-the-father-of-progressive-rock-was-the-jimi-hendri/ 

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Cotner, John S. (2000). “Music Theory and Progressive Rock Style Analysis”. Reflections on American Music: The Twentieth Century and the New Millennium. Pendragon Press. ISBN 978-1-57647-070-1. https://books.google.com/books?id=EzWkTNxqmF0C&pg=PA101 

Greene, Doyle (2016). Rock, Counterculture and the Avant-Garde, 1966?1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. McFarland. ISBN 978-1-4766-2403-7. https://books.google.com/books?id=ELeaCwAAQBAJ 

Haworth, John Trevor; Smith, Michael A. (1975). Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning. Lepus Books. https://books.google.com/books?id=7IZqAAAAMAAJ 

Hegarty, Paul; Halliwell, Martin (2011), Beyond and Before: Progressive Rock Since the 1960s, New York: The Continuum International Publishing Group, ISBN 978-0-8264-2332-0, https://books.google.com/books?id=taA2AqdCAJ0C 

Holm-Hudson, Kevin, ed (2013). Progressive Rock Reconsidered. Routledge. ISBN 978-1-135-71022-4. https://books.google.com/books?id=JQCPAQAAQBAJ&pg=PA275 

Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press. ISBN 978-0-19-509887-7. https://books.google.com/books?id=Jxrtek_vttEC 

Macan, Edward (2005). Endless Enigma: A Musical Biography of Emerson, Lake and Palmer. Open Court. ISBN 978-0-8126-9596-0. https://books.google.com/books?id=tXoIAQAAMAAJ 

Moore, Allan (2004). Jethro Tull's Aqualung. Bloomsbury Publishing. ISBN 978-1-4411-1315-3. https://books.google.com/books?id=DMWoAwAAQBAJ&pg=PA22 

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