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^ Lundberg, John (2011年10月16日). “The Great Drug-Induced Poems”. Huffington Post. 2017年9月12日閲覧。
^ McClure, Michael. Scratching the Beat Surface.
^ "Throughout these interviews [in Spontaneous Mind] Ginsberg returns to his high praise of William Blake and Walt Whitman. Ginsberg obviously loves Blake the visionary and Whitman the democratic sensualist, and indeed Ginsberg's own literary personality can be construed as a union of these forces." Edmund White, Arts and letters (2004), p. 104, ISBN 1-57344-195-3, 978-1-57344-195-7.
^ "Ginsberg's intense relationship to Blake can be traced to a seemingly mystical experience he had during the summer of 1948." ibid, p. 104.
^ According to William Lawlor: "Andre Breton, the founder of surrealism and Joans's 〔ママ〕 mentor and friend, famously called Joans the 'only Afro-American surrealist' (qtd. by James Miller in _Dictionary of Literary Biography_ 16: 268)", p. 159, Beat culture: lifestyles, icons, and impact, ABC-CLIO, 2005, ISBN 1-85109-400-8, 978-1-85109-400-4. Ted Joans said, "The late Andre Breton the founder of surrealism said that I was the only Afro-American surrealist and welcomed me to the exclusive surrealist group in Paris", p. 102, For Malcolm: poems on the life and the death of Malcolm X, Dudley Randall and Margaret G. Burroughs, eds, Broadside Press, Detroit, 1967. There is some question about how familiar Breton was with Afro-American literature: "If it is true that the late Andre Breton, a founder of the surrealist movement, considered Ted Joans the only Afro-American surrealist, he apparently had not read Kaufman; at any rate, Breton had much to learn about Afro-American poetry." Bernard W. Bell, "The Debt to Black Music", Black World/Negro Digest March 1973, p. 86.
^ Allen Ginsberg commented: "His interest in techniques of surreal composition notoriously antedates mine and surpasses my practice ... I authoritatively declare Lamantia an American original, soothsayer even as Poe, genius in the language of Whitman, native companion and teacher to myself." Allen Ginsberg, Bill Morgan, Deliberate Prose: Selected Essays 1952?1995, p. 442, "Philip Lamantia, Lamantia As Forerunner", HarperCollins, 2001, ISBN 9780060930813.
^ "In 'Author's Introduction,' which is included in Lonesome Traveler (1960), Kerouac ... goes on to mention Jack London, William Saroyan, and Ernest Hemingway as early influences and mentions Thomas Wolfe as a subsequent influence." William Lawlor, Beat culture: lifestyles, icons, and impact, 2005, ISBN 1-85109-400-8, 978-1-85109-400-4 p. 153. "And if one considers The Legend of Dulouz, one must acknowledge the influence of Marcel Proust. Like Proust, Kerouac makes his powerful memory the source of much of his writing and again like Proust, Kerouac envisions his life's literary output as one great book." Lawlor, p. 154.
^ Ted Morgan, Literary Outlaw (1988), p.36-37 of trade paper edition, "When Billy [William Burroughs] was thirteen, he came across a book that would have an enormous impact on his life and work. Written by someone calling himself Jack Black, You Can't Win was the memoirs of a professional thief and drug addict."
^ “Beat Buddhism and American freedom.”. thefreelibrary.com. Johns Hopkins University Press. 2019年5月11日閲覧。
^ Jack Kerouac, Poetry Foundation.
^ Kerouac, Jack (September 15, 2016). The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings. New York: The Library of America. ISBN 978-159853-498-6. https://www.loa.org/books/516-the-unknown-kerouac-rare-unpublished-newly-translated-writings 2022年4月6日閲覧。
^ フェイリャー・オブ・ジャック・ケルアック　2022年4月8日閲覧
 ^ 山形浩雄訳『現代詩手帳』1997年11月。pp10-26

関連項目

 カウンター・カルチャー

ティモシー・リアリー

ラルフ・ネーダー

ロストジェネレーション（親世代）

ベビーブーマー（子供世代）

大正世代（日本の同世代）

先代
戦間期世代
1900年-1913年アメリカ合衆国の世代
ビート・ジェネレーション
1914年-1929年次代
サイレント・ジェネレーション
1930年-1945年

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