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ティツィアーノ

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出典、脚注 ^ See below; c. 1488/1490 is generally accepted, despite claims in his lifetime that he was older, ⇒Getty Union Artist Name List and ⇒Metropolitan Museum of Art timeline, retrieved June 29, 2011 both use c. 1488. See discussion of the issue below and at ⇒When Was Titian Born?, which sets out the evidence, and supports 1477?an unusual view today. Gould (pp. 264-66) also sets out much of the evidence without coming to a conclusion. Charles Hope in Jaffe (p. 11) also discusses the issue, favoring a date "in or just before 1490" as opposed to the much earlier dates, as does Penny (p. 201) "probably in 1490 or a little earlier". The question has become caught up in the still controversial division of works between Giorgione and the young Titian.
^ “ ⇒Metropolitan Museum of Art timeline”. Metmuseum.org. 2011年1月30日閲覧。
^ Fossi, Gloria, Italian Art: Painting, Sculpture, Architecture from the Origins to the Present Day, p. 194. Giunti, 2000. ISBN 88-09-01771-4
^ The contours in early works may be described as "crisp and clear", while of his late methods it was said that "he painted more with his fingers than his brushes." Dunkerton, Jill, et al., Durer to Veronese: Sixteenth-Century Painting in the National Gallery, p.281?286. Yale University, National Gallery Publications, 1999. ISBN 0-300-07220-1
^ Cecil Gould, The Sixteenth Century Italian Schools, National Gallery Catalogues, p. 265, London, 1975, ISBN 0-947645-22-5
^ “ ⇒When Was Titian Born?”. Lafrusta.homestead.com (2002年11月4日). 2011年6月29日閲覧。
^ See references above
^ a b David Jaffe (ed), Titian, The National Gallery Company/Yale, p. 11, London 2003, ISBN 1 857099036
^ Jaffe No. 1, pp. 74-75 ⇒image
^ Olga Mataev. “ ⇒Ecce Homo”. Abcgallery.com. 2011年6月29日閲覧。
^ Charles Hope, in Jaffe, pp. 11-14
^ 宮下規久朗『しぐさで読む美術史』筑摩書房、2015年、143頁。.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 978-4-480-43318-3。
^ Charles Hope in Jaffe, p. 14
^ Charles Hope, in Jaffe, p. 15
^ 『聖会話とペーザロ家の寄進者たち』はペーザロ家の聖職者が聖堂に寄進した祭壇画で、このような絵画には聖人とともにパトロンとなった寄進者の肖像が作品中に描かれることが多かった (en:Donor portrait)
^ Charles Hope in Jaffe, pp. 16-17
^ Charles Hope, in Jaffe, p. 17 ⇒Engraving of the painting
^ Jaffe, pp. 100-111
^ “ ⇒Catholic Encyclopedia”. Newadvent.org (1912年7月1日). 2011年6月29日閲覧。
^ The Catholic Encyclopedia
^ R. F. Heath, Life of Titian, page 5.
^ Penny, 204
^ 17世紀スペインでは裸婦や性愛描写を描いた絵画の制作、所持が禁止されていた Hagen, Rose-Marie and Rainer; What Great Paintings Say, 2 vols, Taschen, 2005,. ISBN 9783822847909
^ Museo del Prado, Catalogo de las pinturas, 1996, p. 402, Ministerio de Educacion y Cultura, Madrid, ISBN 84-87317-53-7
^ Penny, 249-50
^ Giles Robertson, in: Jane Martineau (ed), The Genius of Venice, 1500-1600, pp. 231-3, 1983, Royal Academy of Arts, London

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