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Brode, Douglas (1995). The Films of Steven Spielberg. New York: Carol Publishing. ISBN 978-0-8065-1951-7
Brosnan, John (1978). Future Tense: The Cinema of Science Fiction. London: Macdonald and Jane's. ISBN 978-0-354-04222-2
Burr, Ty (1999). The 100 Greatest Movies of All Time. New York: Entertainment Weekly Books. ISBN 978-1-883013-68-4. https://archive.org/details/100greatestmovie00burr
Cancellaro, Joseph (2006). Exploring Sound Design for Interactive Media. Florence, Kentucky: Delmar Learning. ISBN 978-1-4018-8102-3. https://archive.org/details/exploringsoundde0000canc
Collins, Jim; Radner, Hilary (1993). Film Theory Goes to the Movies. London: ラウトレッジ. ISBN 978-0-415-90576-3
Friedman, Lester D. (2006). Citizen Spielberg. Champaign: University of Illinois Press. ISBN 978-0-252-07358-8. https://archive.org/details/citizenspielberg00frie
Friedman, Lester D.; Notbohm, Brent (2000). Steven Spielberg: Interviews. Jackson: University Press of Mississippi. ISBN 978-1-57806-113-6. https://archive.org/details/stevenspielbergi00spie
Gordon, Andrew (2008). Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. Lanham, Maryland: Rowman & Littlefield. ISBN 978-0-7425-5578-5
Gottlieb, Carl (2005). The Jaws Log. New York: Newmarket Press. ISBN 978-0-571-20949-1
Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Detroit: Wayne State University Press. ISBN 978-0-8143-3008-1
Heath, Stephen (1976). “Jaws, Ideology, and Film Theory”. In Nichols, Bill. Movies and Methods: An Anthology, Volume II. (1985). Berkeley: University of California Press. ISBN 978-0-520-05408-0. https://archive.org/details/moviesmethodsa00nich
Jackson, Kathi (2007). Steven Spielberg: A Biography. Westport, Connecticut: Greenwood. ISBN 978-0-313-33796-3
Jameson, Fredric (1979). “Reification and Utopia in Mass Culture”. Signatures of the Visible. New York and London: Routledge. 130?148. doi:10.2307/466409. ISBN 978-0-415-90012-6. JSTOR 466409. https://semanticscholar.org/paper/6792293a584e2793f6486e5f5963b57c43cc34d8
Kael, Pauline (1976). “Notes on Evolving Heroes, Morals, Audiences”. When the Lights Go Down. (1980). Beverly, Massachusetts: Wadsworth. ISBN 978-0-03-056842-8. https://archive.org/details/whenlightsgodown00kael
Kochberg, Searle (1996). “Institutions, Audiences and Technology”. In Nelmes, Jill. An Introduction to Film Studies. London: Routledge. ISBN 978-0-415-10860-7
Lemkin, Jonathan (1984). “Archetypal Landscapes and Jaws”. In Grant, Barry Keith. Planks of Reason: Essays on the Horror Film. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-2156-9
Maltin, Leonard (1999). “100 Must-See Films of the 20th Century”. Leonard Maltin's Movie & Video Guide 2000. New York: ペンギン・グループ. ISBN 978-0-452-28123-3
Marich, Robert (2005). Marketing to Moviegoers: A Handbook of Strategies Used by Major Studios and Independents. Cambridge, Massachusetts: Focal Press. ISBN 978-0-240-80687-7
Mast, Gerald; Kawin, Bruce F. (2003). A Short History of the Movies. Harlow, Essex: Longman. ISBN 978-0-321-10603-2. https://archive.org/details/shorthistoryofmo00mast_1
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