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脚注^ Tomaselli, Keyan (1988). The Cinema of Apartheid. New York City: Smyrna Press. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-918266-19-X. https://archive.org/details/cinemaofaparthei00toma/
^ Groves, Don (February 6, 1990). “Star Child”. Daily Variety: 124.
^ Cook, David A. (2000). “Formative Industry Trends, 1970-1979”. In Harpole, Charles. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. History of American Cinema. 9. New York City: Charles Scribner's Sons. pp. 21. ISBN 978-0-684-31528-7. https://link.gale.com/apps/doc/CX2584500016/GPS?u=wikipedia&sid=GPS&xid=d03806da 2020年7月26日閲覧。 Cook, David A. (2000). "Formative Industry Trends, 1970-1979". In Harpole, Charles (ed.). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. History of American Cinema. 9. New York City: Charles Scribner's Sons. p. 21. ISBN 978-0-684-31528-7. Retrieved 26 July 2020 – via Gale eBooks.
^ Groves, Don (February 6, 1990). “Star Child”. Daily Variety: 124.
^ Tomaselli, Keyan (1988). The Cinema of Apartheid. New York City: Smyrna Press. ISBN 0-918266-19-X. https://archive.org/details/cinemaofaparthei00toma/
^ Tomaselli, Keyan (1988). The Cinema of Apartheid. New York City: Smyrna Press. ISBN 0-918266-19-X. https://archive.org/details/cinemaofaparthei00toma/
^ Tomaselli, Keyan (1988). The Cinema of Apartheid. New York City: Smyrna Press. ISBN 0-918266-19-X. https://archive.org/details/cinemaofaparthei00toma/
^ Bart, Peter (1990). Fade Out. New York City: William Morrow and Company. pp. 182. ISBN 0-688-08460-5. https://archive.org/details/fadeoutcalamitou00bart/
^ a b “CIC Status Update”. Variety: 5. (October 14, 1981).
^ McDonald, Paul (2008). “Britain: Hollywood, UK”. In McDonald, Paul. The Contemorary Hollywood Film Industry. Blackwell. pp. 228. ISBN 978-1-4051-3387-6. https://archive.org/details/contemporaryholl0000unse/
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