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^ R.T. (24 June 1993). "Introducing 'Orlando' Director: Q&A with Sally Potter". Rolling Stone (659): 90.
^ "Choreography was the perfect 'poor theatre.' All you needed were willing bodies and some space. So it was as a choreographer that I learnt how to direct and it was as a dancer that I learnt how to work" Potter, Sally (1997). The Tango Lesson. London: Faber and Faber.
^ Fowler, Catherine (2009). Sally Potter. Chicago: University of Illinois Press.
^ "I have come to the conclusion that I can't use that term in my work. Not because of a disavowal of the underlying principles that gave birth to that word ? the commitment to liberation, dignity, equality. But it has become a trigger word that stops people's thinking. You literally see people's eyes glaze over with exhaustion when the word flashes into the conversation.” Frilot, Shari (Summer, 1993). "Sally Potter". BOMB (44): 30?35. Retrieved 3 May 2012.
^ "I knew that I had to perform in this one because the impetus for the film came out of my own desire to dance.” Potter, Sally (1997). The Tango Lesson. London: Faber and Faber.
^ "Originally I was trying to figure out how we could shoot this film without any lights, because there didn't seem to be enough money in the budget to have any. One solution was to shoot at six frames a second, or even three. Later you print each frame four (or eight) times to bring it into sync at twenty-four frames per second. You can shoot almost in the dark, and still see people's faces...we did some tests and found that it was very beautiful; so I decided to make it part of the language of the film." Potter, Sally (2005). Yes: Screenplay and Notes. New York: Newmarket Press.
^ Corradi, Stella. “It's a Wrap”. 2012年8月1日時点の ⇒オリジナルよりアーカイブ。2012年4月25日閲覧。
^ a b https://www.imdb.com/title/tt2115295/releaseinfo
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