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^ Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 978-1-315-10864-3. OCLC 993983488. P. 21
^ Williams, Eric R.. “How to View and Appreciate Great Movies” (英語). English. 2020年6月7日閲覧。
^ Selbo, Jule (2014). Film Genre for the Screenwriter. Taylor & Francis. pp. 56-57, 229-232. ISBN 978-1-317-69568-4. https://books.google.com/books?id=eSEWBAAAQBAJ
^ Scheibe, Cynthia Leone (1983). Character Portrayals and Values in Network TV Commercials. Cornell University. pp. 107. https://books.google.com/books?id=ShFFAAAAYAAJ
^ “Subgenre - Crime comedy”. AllMovie. 2020年11月4日閲覧。
^ “10 Best Crime Comedy Movies”. CBR.com (2023年2月11日). 2023年4月17日閲覧。
^ “Subgenre - Crime drama”. AllMovie. 2020年11月4日閲覧。
^ “Subgenre - Crime thriller”. AllMovie. 2020年11月4日閲覧。
^ a b c “Subgenre - Gangster Film”. AllMovie. 2020年11月4日閲覧。
^ Masswood, Paula. Black City Cinema
^ a b Masswod, Paula. Black City Cinema
^ Singleton, John, 1968-2019, screenwriter. film director. Nicolaides, Steve, film producer. Fishburne, Laurence, III, 1961- actor. Ice Cube (Musician), actor. Gooding, Cuba, Jr., 1968- actor. Long, Nia. actor. Chestnut, Morris. actor. Ferrell, Tyra. actor. Bassett, Angela. actor. King, Meta. actor. Mayo, Whitman, 1930-2001, actor. Clarke, Stanley. composer (expression), Boyz n the hood, OCLC 773206256
^ “Subgenre - Prison Film”. AllMovie. 2020年11月4日閲覧。
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⇒Criminology and Criminal Justice
Cavender, Gray, and Nancy C. Jurik. "Risky business: Visual representations in corporate crime films." Routledge international handbook of visual criminology (2017): 215-228.
Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies (2006) excerpt
Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." Journal of criminal justice education 29.2 (2018): 178-197. [1]
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