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ガルニエ宮

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^ Jouffroy's group is titled l'Harmonie in Nuitter 1878, ⇒p. 11, and in Garnier 1875?81, vol. 1, p. 424, vol. 2, p. 273, but is identified as La Poesie in the "Table des planches" of the 1875 atlas folio Statues decoratives (View at Wikimedia Commons), and according to Fontaine 2000, p. 82, is also sometimes referred to as Lyric Poetry.
^ a b Fontaine 2000
^ Kirkland 2013, pp. 283?284.
^ 映画「新世紀パリオペラ座」プログラム16ページ
 ^ Hanser 2006, p. 177.
^ a b c Fontaine 2004, p. 94?95.
^ Garnier 1871, p. 205; quoted and translated in Fontaine 2004, p. 94.
^ ⇒Paris Opera Restaurant Press Release
^ “ ⇒Guillaume Tison-Malthe, aux fourneaux de L’Opera Restaurant”. cuisine.journaldesfemmes.com. 2015年11月21日閲覧。
^ Mead 1991, p. 53.
^ Kirkland 2014, pp. 188?189.
^ Mead 1991, pp. 53?56.
^ Mead 1991, p. 58; Kirkland. Page 190.
^ Beauvert 1996, p. 102.
^ Kirkland 2013, pp. 185?186.
^ Kirkland 2013, p. 191.
^ Mead 1991, p. 60 ("170 projects"); Kirkland 2013, p. 192 ("171 designs").
^ Mead 1991, pp. 60?62. Only five projects were awarded prizes, but two were the result of collaborations.
^ Kirkland 2013, p. 192.
^ a b Quoted and translated in Mead 1991, pp. 76, 290.
^ Translated and quoted by Ayers 2004, pp. 172?174. The architectural styles mentioned by the empress were those which prevailed during the reigns of Louis XIV, XV, and XVI. For more information, see the sections on Baroque, Rococo, and Neoclassicism in French architecture.
^ a b Ayers, Andrew (2004). The Architecture of Paris. Stuttgart; London: Edition Axel Menges. pp. 172?174. ISBN 978-3-930698-96-7.
^ Photo by Durandelle（フランス語版）. Mead 1991, p. 138, reproduces a different print (fig. 187) of the same photograph (from the Bibliotheque nationale, see a copy at Commons) and identifies the three men. This particular print is from the Metropolitan Museum of Art, whose annotator dates it to ca. 1870. The elevation of the opera house shown in the background is quite similar to a design dated to the spring of 1862 by Mead 1991, p. 90 (see copy at Commons).
^ Mead 1991, p. 137.
^ Mead 1991, pp. 146?147.
^ Mead 1991, p. 147; Hanser 2006, p. 174; Ayers 2004, p. 174.
^ a b Mead 1991, pp. 149?151.
^ Mead 1991, p. 303.
^ Fontaine 2000, pp. 91?92.
^ Mead 1991, p. 185.
^ a b Levin, Alicia. "A documentary overview of musical theaters in Paris, 1830?1900" in Fauser (2009), p. 382.
^ Mead 1991, pp. 142?143, 168?170.
^ Mead 1991, pp. 143?145. 170?172.
^ Mead 1991, pp. 145?146; Folli & Merello 2004, p. 116.
^ Simeone 2000, pp. 177?180.
^ Huebner 2003, p. 303.
^ Scott & Lee 1993, pp. 142?145.
^ 角川文庫「オペラ座の怪人」長島良三訳 ISBN 4-04-284001-9 平成12年2月25日初版　P456-457「訳者あとがき」

参考文献

河盛好蔵：オペラ座の話（『パリ物語』中の一篇）、旺文社文庫 (1984) ISBN 4-01-064278-5

竹原正三：パリ・オペラ座、芸術現代社 (1994) ISBN 4-87463-118-5

ギャラリー

 ドイツ占領下でハーケンクロイツが掲げられた（1942年）

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