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^ Schumer, Arlen (Winter 1999). ⇒“Neal Adams: The Marvel Years”. Comic Book Artist (TwoMorrows Publishing) (3). ⇒http://twomorrows.com/comicbookartist/articles/03adams.html 2013年5月12日閲覧。.
^ Sanderson, Peter（英語版） "1970s" in Gilbert (2008), p. 145: "Writer Dennis O'Neil revealed that it was not Xavier who had perished but a shape-shifter called the Changeling...This epic tale provided an appropriately grand finale for the work of legendary artist Neal Adams."
^ Sanderson "1970s" in Gilbert (2008), p. 145: "[X-Men #66] would be the series' last issue by writer Roy Thomas and artist Sal Buscema."
^ Sanderson "1970s" in Gilbert (2008), p. 169: "[Editor Roy] Thomas realized that if X-Men was to be successfully revived, it needed an exciting new concept. Thomas came up with just such an idea: the X-Men would become an international team, with members from other countries as well as the United States. Writer Len Wein and artist Dave Cockrum were assigned to the new project and the result was Giant-Size X-Men #1."
^ a b Sanderson "1970s" in Gilbert (2008), p. 171
^ Sanderson "1970s" in Gilbert (2008), p. 176: "Writer Chris Claremont and artist Dave Cockrum's intent in transforming Jean Grey into Phoenix was to boost Jean's powers to a higher level"
^ Sanderson "1970s" in Gilbert (2008), p. 181: "When 'new' X-Men co-creator Dave Cockrum left the series, John Byrne took over as penciler and co-plotter. In his first issue, Byrne and writer Chris Claremont wound up the Shi'ar story arc."
^ Sanderson "1970s" in Gilbert (2008), p. 189
^ Sanderson "1970s" in Gilbert (2008), p. 190
^ Sacks, Jason (2010年9月6日). “Top 10 1970s Marvels”. Comics Bulletin. 2013年8月3日時点の ⇒オリジナルよりアーカイブ。2013年8月3日閲覧。
^ Daniels "The Marvel Universe (1978-1990)", p. 186: "The controversial story created a sensation and The X-Men became the comic book to watch."
^ Thomas, Roy; Sanderson, Peter（英語版） (2007). The Marvel Vault: A Museum-in-a-Book with Rare Collectibles from the World of Marvel. Running Press. p. 136. ISBN 978-0762428441
^ DeFalco "1980s" in Gilbert (2008), p. 196: "In January [1980] a nine-part story began that changed the X-Men forever...Claremont proposed a story that would show how Jean Grey - one of the original members of the X-Men - had become corrupted by her new Phoenix power.
^ DeFalco "1980s" in Gilbert (2008), p. 200
^ Cooke, Jon B.; Nolen-Weathington, Eric (2006). Modern Masters, Vol. 7: John Byrne. TwoMorrows Publishing. pp. 31?32. ISBN 978-1893905566. https://books.google.co.jp/books?id=LprxnvAeRBYC&pg=PA31&dq=John+Byrne+I%27ll+plot+a+Sentinels+story&hl=en&sa=X&ei=LRGQUcK_Lue3ywH1iYCgBg&redir_esc=y#v=onepage&q=John%20Byrne%20I'll%20plot%20a%20Sentinels%20story&f=false. "I came up with a Sentinels story where the Sentinels had taken over the world and killed everybody. That's about as tough as you get right?"
^ Thomas and Sanderson, p. 137: "The Uncanny X-Men remained something of a cult book, with a small but devoted following, but as the 1980s continued, sales went up and up. By mid-decade, it was consistently the top-selling comic book not simply at Marvel but in the entire American comics industry."
^ DeFalco "1980s" in Gilbert (2008), p. 218: "A brilliant weapons inventor Forge was the man the government hired when Tony Stark stopped building munitions."
^ Khoury, George; Nolen-Weathington, Eric (2006). Modern Masters, Vol. 6: Arthur Adams. TwoMorrows Publishing. p. 28. ISBN 978-1893905542. https://books.google.co.jp/books?id=zF7UtmxJzW4C&pg=PA28&dq=Arthur+Adams+You%27re+going+to+do+annuals+from+now+on&hl=en&sa=X&ei=NRSQUcriBqjxyAGi2oGoAg&redir_esc=y#v=onepage&q=Arthur%20Adams%20You're%20going%20to%20do%20annuals%20from%20now%20on&f=false
^ DeFalco "1980s" in Gilbert (2008), p. 228: "The Mutant Massacre was an eleven-issue story that ran from October 1986...Working for Mister Sinister the Marauders - a team of mutant mercenaries - raided the Alley and callously slaughtered most of the Morlocks."
^ DeFalco "1980s" in Gilbert (2008), p. 236: "'The Fall of the Mutants' was actually three separate stories - one in each of the X-Men titles."
^ Manning, Matthew K. "1990s" in Gilbert (2008), p. 249: "[Storm] encountered one of the most popular X-Men of the 1990s the enigmatic thief called Gambit. Created by legendary X-scribe Chris Claremont and artist Michael Collins, Gambit's Southern charm, thick Cajun accent, and ability to supercharge objects with kinestic energy for explosive results won over the readers."
^ Manning "1990s" in Gilbert (2008), p. 251: "With a marketplace primed for flashy event-orientated stories, the X-Men titles took full advantage with their epic crossover, 'X-Tinction Agenda'."
^ Manning "1990s" in Gilbert (2008), p. 255: "X-Men #1 [was] the best selling comic book in the history of the medium, selling well over eight million copies."
^ a b c d Sjoerdsman, Al; Vandal, Stuart; York, Jeph. Official Index to the Marvel Universe: The Uncanny X-Men. Marvel Comics. ISBN 978-0-7851-4958-3

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