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^ a b Moore 1987, p. 64 in the original publication.
^ .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation.cs-ja1 q,.mw-parser-output .citation.cs-ja2 q{quotes:"「""」""『""』"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}DeZ Vylenz (Director) (30 September 2008). The Mindscape of Alan Moore. Shadowsnake Films. 2022年5月14日閲覧。
^ Moore & Campbell 2010, pp. 110?111.
^ Ayres 2021, pp. 166?167, 215.
^ Parkin 2013, p. 282.
^ a b Parkin 2013, p. 272.
^ Moore & Campbell 2010, p. 114.
^ Parkin 2013, p. 273.
^ Parkin 2013, p. 274.
^ Parkin 2013, pp. 274?275.
^ 前野 2018.
^ Wolk, Douglas (2003-12-17). “Sidebar: How Alan Moore transformed American comics”. Slate. ⇒オリジナルの2008-09-28時点におけるアーカイブ。. https://web.archive.org/web/20080928000657/http://www.slate.com/id/2092739/sidebar/2092745/ 2022年1月12日閲覧。.
^ Doyle-White 2009.
^ Ayres 2021, pp. 162, 215.
^ Ayres 2021, pp. 162?163.
^ Ayres 2021, p. 164.
参考文献
雑誌記事.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-100{font-size:100%}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}
Berlatsky, Eric C. (2010). “Review of Annalisa Di Liddo’s Alan Moore: Comics as Performance, Fiction as Scalpel”. ImageTexT 5 (4). ISSN 1549-6732. https://imagetextjournal.com/review-of-annalisa-di-liddos-alan-moore-comics-as-performance-fiction-as-scalpel/ 2022年5月14日閲覧。.
Creekmur, Corey (2004). “Review: Superheroes and Science Fiction: Who Watches Comic Books?”. Science Fiction Studies 31 (2): 283?290. https://www.jstor.org/stable/4241260 2022年1月22日閲覧。.
Doyle-White, Ethan (2009). “Occultic World of Alan Moore”. Pentacle (29).
Gaiman, Neil (January 1989). "Neil Gaiman interview". Fantasy Advertiser (Interview). No. 109. Interviewed by Whitaker, Steve.
Hasted, Nick (1990). “Whatever Happened to Alan Moore?”. The Comics Journal (183): 107?112. https://www.tcj.com/tcj-issue/the-comics-journal-no-183-january-1996/.
Moore, Alan (1984). "Alan Moore (Interview)". The Comics Journal (Interview). No. 93. Interviewed by Burbey, Mark. pp. 77?85. 2022年8月1日閲覧。
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