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Sandifer, Elizabeth (2019). The Last War in Albion Volume 1: The Early Work of Alan Moore and Grant Morrison (Kindle ed.). Eruditorum Press. ASIN B01N9GOE8T 

smoky man; Millidge, Gary Spencer, eds (2003). Alan Moore: Portrait of an Extraordinary Gentleman. abiogenesis. ISBN 0-946790-06-X 

作品評・研究書

Ayres, Jackson (2021). Alan Moore: A Critical Guide (Kindle ed.). Bloomsbury Publishing. ASIN B08VD5YKNZ. ISBN 978-1-3500-6048-7 

Bensam, Richard, ed (2012). Minutes to Midnight: Twelve Essays on Watchmen (Kindle (copytext: ISBN 978-1466350892, 2011) ed.). Sequart Organization. ASIN B0072XITD8 

Borsellino, Mary, “How the Ghost of You Clings: Watchmen and Music”, p. 24 

Darius, Julian, “58 Varieties: Watchmen and Revisionism”, p. 97 

Hudsick, Walter, “Reassembling the Components in the Correct Sequence: Why You Shouldn't Read Watchmen First”, p. 8 


Comer, Todd A.; Sommers, Joseph Michael, eds (2012). Sexual Ideology in the Works of Alan Moore: Critical Essays on the Graphic Novels (Kindle ed.). McFarland. ASIN B007QW0LHC. ISBN 978-0786464531 

Di Liddo, Annalisa, “Afterword: Disgust with the Revolution”, p. No. 2897/3275 

Sommers, Joseph Michael, “When “One Bad Day” Becomes One Dark Knight: Love, Madness, and Obsession in the Adaptation of The Killing Joke into Christopher Nolan's The Dark Knight”, p. No. 558/3275 


Darius, Julian (2012b). And the Universe so Big: Understanding Batman The Killing Joke (Kindle (copytext: ISBN 978-1481041706, 2012) ed.). Sequart Organization. ASIN B00AG6FM2E 

Di Liddo, Annalisa (2009). Alan Moore: Comics as Performance, Fiction as Scalpel (Kindle (copytext: ISBN 978-1-60473-212-2, 2009) ed.). The University Press of Mississippi. ASIN B002RT8NY2 

Gray, Maggie (2017). “1. Introduction”. Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent (Kindle, sample ed.). Palgrave Macmillan. ASIN B0772Q74WN 

Schneider, Christian W. (2013). “‘Nothing ever ends’: Facing the apocalypse in Watchmen”. In Green, Matthew J. A.. Alan Moore and the Gothic Tradition. Manchester University Press. doi:10.7765/9781526101839.00015. ISBN 978-0719085994 

Wolk, Douglas (2007). “Alan Moore: The House of the Magus”. Reading Comics. Da Capo Press. pp. 228?257. ISBN 978-0-306-81616-1. https://archive.org/details/readingcomicshow00wolk 2021年3月4日閲覧。 

コミック全般・その他

Ayres, Jackson (2010). “Promethea”. In Booker, M. Keith. Encyclopedia of Comic Books and Graphic Novels. 2. ABC-CLIO. https://books.google.com/books?id=K2J7DpUItEMC 2022年2月11日閲覧。 

Baetens, Jan, et al., ed (2018). The Cambridge History of the Graphic Novels. Cambridge University Press. ISBN 978-1107171411 

Harris-Fain, Darren, “The Superhero Graphic Novel”, pp. 492?508 

Murray, Christopher, “Alan Moore: The Making of a Graphic Novel”, pp. 219?234 


Berlatsky, Eric C. (2014). “Moore, Alan”. In Booker, M. Keith. Comics through Time: A History of Icons, Idols, and Ideas. ABC-CLIO. https://books.google.com/books?id=hnuQBQAAQBAJ 2022年2月6日閲覧。 

Bishop, David (2007). Thrill-power Overload: Thirty Years of 2000 AD (hardcover ed.). Rebellion Developments. ISBN 978-1-905437-22-1 

Dolan, Hannah, ed (2010). DC Comics Year By Year: A Visual Chronicle. Dorling Kindersley. ISBN 978-0-7566-6742-9 

Cowsill, Alan, “2000s” 

Manning, Matthew K., “1980s” 


Daniels, Les (1995). DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. Bulfinch Press. ISBN 0-8212-2076-4 

Gavaler, Chris (2019). Superhero Comics. Bloomsbury Academic. ISBN 9781474226349 

Greenberger, Robert; Manning, Matthew K. (2009). The Batman Vault: A Museum-in-a-Book with Rare Collectibles from the Batcave. Running Press. ISBN 978-0-7624-3663-7 

Killjoy, Margaret (2009). “Introduction”. Mythmakers and Lawbreakers. Robinson, Kim Stanley. AK Press. p. 42. ISBN 978-1-84935-002-0. OCLC 318877243 

Klock, Geoff (2002). How to Read Superhero Comics and Why. Continuum International Publishing Group. ISBN 0-8264-1419-2 

Gravett, Paul, ed (2011). 1001 Comics You Must Read Before You Die. Cassell Illustrated. ISBN 9781844036981 

Beaty, Bart, “Top 10”, p. 716 

Dickson, Ben, “The League of Extraordinary Gentlemen”, p. 722 

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