元のファイル (1,800 × 1,050 ピクセル、ファイルサイズ: 1.16メガバイト、MIME タイプ: image/jpeg)
ジャン=レオン・ジェローム (1824?1904)
このファイルは、ウィキメディア・コモンズから呼び出されています。
このファイルは、他のプロジェクトで使用されている可能性があります。
このファイルの解説やノートへの記入、履歴などの詳細の確認は、ウィキメディア・コモンズのファイルページ(ノート/履歴/ログ)を使用してください。
ウィキメディア・コモンズのファイルページにある説明を、以下に表示します。
概要.mw-parser-output table.commons-file-information-table,.mw-parser-output .fileinfotpl-type-information,.mw-parser-output .fileinfotpl-type-artwork{border:1px solid #a2a9b1;background-color:#f8f9fa;padding:5px;font-size:95%;border-spacing:2px;box-sizing:border-box;margin:0;width:100%}.mw-parser-output table.commons-file-information-table>tbody>tr,.mw-parser-output .fileinfotpl-type-information>tbody>tr,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr{vertical-align:top}.mw-parser-output table.commons-file-information-table>tbody>tr>td,.mw-parser-output table.commons-file-information-table>tbody>tr>th,.mw-parser-output .fileinfotpl-type-information>tbody>tr>td,.mw-parser-output .fileinfotpl-type-information>tbody>tr>th,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr>td,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr>th{padding:4px}.mw-parser-output .fileinfo-paramfield{background:#ccf;text-align:right;padding-right:0.4em;width:15%;font-weight:bold}.mw-parser-output .commons-file-information-table+table.commons-file-information-table,.mw-parser-output .commons-file-information-table+div.commons-file-information-table>table{border-top:0;padding-top:0;margin-top:-8px}@media only screen and (max-width:719px){.mw-parser-output table.commons-file-information-table,.mw-parser-output .commons-file-information-table .fileinfotpl-type-information,.mw-parser-output .commons-file-information-table .fileinfotpl-type-artwork{border-spacing:0;padding:0;word-break:break-word;width:100%!important}.mw-parser-output .commons-file-information-table>tbody,.mw-parser-output .fileinfotpl-type-information>tbody,.mw-parser-output .fileinfotpl-type-artwork>tbody{display:block}.mw-parser-output .commons-file-information-table>tbody>tr>td,.mw-parser-output .commons-file-information-table>tbody>tr>th,.mw-parser-output .fileinfotpl-type-information>tbody>tr>td,.mw-parser-output .fileinfotpl-type-information>tbody>tr>th,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr>td,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr>th{padding:0.2em 0.4em;text-align:left;text-align:start}.mw-parser-output .commons-file-information-table>tbody>tr,.mw-parser-output .fileinfotpl-type-information>tbody>tr,.mw-parser-output .fileinfotpl-type-artwork>tbody>tr{display:flex;flex-direction:column}.mw-parser-output .commons-file-information-table+table.commons-file-information-table,.mw-parser-output .commons-file-information-table+div.commons-file-information-table>table{margin-top:-1px}.mw-parser-output .fileinfo-paramfield{box-sizing:border-box;flex:1 0 100%;width:100%}}.mw-parser-output table.commons-file-information-table,.mw-parser-output .fileinfotpl-type-information,.mw-parser-output .fileinfotpl-type-artwork,.mw-parser-output .fileinfo-paramfield{color:#202122}
作者.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}}
別名ジャン・レオン・ジェローム
説明フランスの 画家、製図工および彫刻家
生年月日・没年月日1824年5月11日 1904年1月10日
出生地・死没地ヴズール9区
活動拠点パリ; アルジェリア; ギリシャ; フィレンツェ; ローマ; コンスタンティノープル
典拠管理
: Q212499
VIAF:?22153153
ISNI:?000000012123607X
ULAN:?500115563
Open Library:?OL4645907A
DBNL:? ⇒gero006
WorldCat
artist QS:P170,Q212499
タイトルThe Christian Martyrs' Last Prayerlabel QS:Lfr,"La derniere priere des martyrs chretiens"label QS:Lde,"Das letzte Gebet der Christen im Circus Maximus"label QS:Len,"The Christian Martyrs' Last Prayer"
分野絵画作品
解説English: William T. Walters commissioned this painting in 1863, but the artist did not deliver it until 20 years later. In a letter to Walters, Gerome identified the setting as ancient Rome's racecourse, the Circus Maximus. He noted such details as the goal posts and the chariot tracks in the dirt. The seating, however, more closely resembles that of the Colosseum, Rome's amphitheater, in which gladiatorial combats and other spectacles were held. Similarly, the hill in the background surmounted by a colossal statue and a temple is nearer in appearance to the Athenian Acropolis than it is to Rome's Palatine Hill. The artist also commented on the religious fortitude of the victims who were about to suffer martyrdom either by being devoured by the wild beasts or by being smeared with pitch and set ablaze, which also never took place in the Circus Maximus. In this instance, Gerome, whose paintings were usually admired for their sense of reality, has subordinated historical accuracy to drama.W. M. Brady & Co, New York, in "Drawings and Oil Sketches 1700-1900," 27 January 2009 - 12 February 2009, No. 21, offers "Study for the 'Death of Caesar," an oil on canvas with pen and ink underdrawing, measuring 高さ: 19.5 cm;幅: 33 cmdimensions QS:P2048,19.5U174728dimensions QS:P2049,33U174728, which formerly belonged to Maurice Aiccardi, Paris. This sketch may be the one that Theophile Gautier alluded to during a visit to the artist's studio in 1858 (G. Ackerman, Jean-Leon Gerome: Monographie revisee 2000, pp. 240-241).
日付1863年と1883年の間date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1863-00-00T00:00:00Z/9,P1326,+1883-00-00T00:00:00Z/9
技法キャンバス、油絵medium QS:P186,Q296955;P186,Q12321255,P518,Q861259